The programme of the Ruhrtriennale is directed against racism, anti-Semitism and exclusion in every form and tells complex narratives. I consider it important to open up perspectives other than our Western ones, and thus to take the context of our international programme seriously. I do not wish to be part of a campaign, let alone hostage to a campaign.
The programme of the Ruhrtriennale and the artists of this programme are currently under pressure from two campaigns. One says: artists who support organisations that oppose the current policy of the government of the Israeli state and support the rights of the Palestinians are automatically anti-Semitic. The second campaign is the BDS campaign, which says that artists who do not boycott the current government of the State of Israel are automatically suspected of being racist or opponents of the Palestinians. I do not share any of the superficial, simplifying positions of these two campaigns. I wish to be able to invite a band such as the Young Fathers for their music and their lyrics although I personally completely reject the boycott strategy of the BDS. As a German, it is, of course, difficult for me to be linked to a movement that boycotts Israel, but I have invited the Young Fathers and not the BDS. In many interviews, the Young Fathers have made it credible that they reject anti-Semitism in any form. Following the impression of many discussions and reflections over the last few days, I would like to correct my approach: I wish to invite the Young Fathers again to the concert in Bochum on 18 August 2018 although I do not share their attitude to the BDS. I believe that we need to allow the different perspectives and narratives, because this openness is the dramaturgic credo of our programme. I therefore have to defend the freedom of the arts, and do not, under any circumstances, even indirectly, wish to exercise censorship.
I again wish to stress that, in my view, criticism of the current policy of the government of the State of Israel is not automatically anti-Semitic. None of the artists at this year’s programme of the Ruhrtriennale are anti-Semitic or racist. I personally reject boycott in connection with Israel, but also in other contexts, and especially in the field of art. Artists do not represent nations or ideological discourses.
I do not, however, want artists to be censored, lectured or excluded for their attitudes. Every artist is free to take up a position as long as this position is not anti-Semitic, racist or exclusionary. I wish to initiate a public event on the topic of boycott, freedom of the arts and the differences of perspectives, the place, time and implementation of which we will announce.Perhaps such an event could be held in the context of the concert, and the band could preferably represent its own position there.
Music, dance, theatre, performance and fine arts in the former industrial buildings of the Ruhr Area: that’s the Ruhrtriennale. The venues of the Ruhrtriennale are the region’s outstanding industrial monuments, transformed each year into spectacular sites for impressive arts productions. At the centre of all this are contemporary artists seeking a dialogue with industrial spaces and between the disciplines. World premieres and new works are the essence of the programme which makes visiting the Ruhrtriennale an incomparable event. Every season, festival productions from the Ruhr region go on tour around the world.
The artists and themes featured in the programme are chosen by Artistic Directors appointed in three year cycles. The Ruhrtriennale’s Artistic Director for the years 2018, 2019 and 2020 is the dramaturg and experienced theatre and festival director Stefanie Carp. The programme for 2018 will be announced at the end of April. This year the Ruhrtriennale takes place from 9th August to 23rd September.